Alone

by Nikki Giovanni

i can be
alone by myself
i was
lonely alone
now i'm lonely
with you
something is wrong
there are flies
everywhere
i go

Mutually Assured Destruction

When I was nine, my father sliced his knee
With a chainsaw. But he let himself bleed
And finished cutting down one more tree
Before his boss drove him to EMERGENCY.
Late that night, stoned on morphine and beer,
My father needed my help to steer
His pickup into the woods. “Watch for deer,”
My father said. “Those things just appear
Like magic.” It was an Indian summer
And we drove through warm rain and thunder,
Until we found that chainsaw, lying under
The fallen pine. Then I watched, with wonder,
As my father, shotgun-rich and impulse-poor,
Blasted that chainsaw dead. “What was that for?”
I asked. “Son,” my father said. “Here’s the score.
Once a thing tastes blood, it will come for more.”

—Sherman Alexie

For Women Who Are 'Difficult' to Love

By Warsan Shire

You are a horse running alone
and he tries to tame you
compares you to an impossible highway
to a burning house
says you are blinding him
that he could never leave you
forget you
want anything but you
you dizzy him, you are unbearable
every woman before or after you
is doused in your name
you fill his mouth
his teeth ache with memory of taste
his body just a long shadow seeking yours
but you are always too intense
frightening in the way you want him
unashamed and sacrificial
he tells you that no man can live up to the one who
lives in your head
and you tried to change didn’t you?
closed your mouth more
tried to be softer
prettier
less volatile, less awake
but even when sleeping you could feel
him travelling away from you in his dreams
so what did you want to do love
split his head open?
you can’t make homes out of human beings
someone should have already told you that
and if he wants to leave
then let him leave
you are terrifying
and strange and beautiful
something not everyone knows how to love.

From Teaching My Mother How to Give Birth. Buy it here.

Home Wrecker

And this is how we danced: with our mothers’
white dresses spilling from our feet, late August

turning our hands dark red. And this is how we loved:
a fifth of vodka and an afternoon in the attic, your fingers

sweeping though my hair—my hair a wildfire.
We covered our ears and your father’s tantrum turned

into heartbeats. When our lips touched the day closed
into a coffin. In the museum of the heart

there are two headless people building a burning house.
There was always the shotgun above the fireplace.

Always another hour to kill—only to beg some god
to give it back. If not the attic, the car. If not the car,

the dream. If not the boy, his clothes. If not alive,
put down the phone. Because the year is a distance

we’ve traveled in circles. Which is to say: this is how
we danced: alone in sleeping bodies. Which is to say:

This is how we loved: a knife on the tongue turning
into a tongue.

—Ocean Vuong

The Mermaid

A mermaid found a swimming lad,
Picked him for her own,
Pressed her body to his body,
Laughed; and plunging down
Forgot in cruel happiness
That even lovers drown.

W.B. Yeats

How to Kill a Living Thing

Neglect it
Criticize it to its face
Say how it kills the light
Traps all the rubbish
Bores you with its green

Continually
Harden your heart
Then
Cut it down close
To the root as possible

Forget it
For a week or a month
Return with an axe
Split it with one blow
Insert a stone

To keep the wound wide open.

—Eibhlín Nic Eochaidh

6:59 AM, by Shane Koyczan

From the book Visiting Hours.

A Dose of Poetry

The above poem is Scheherazade, by Richard Siken.

I've only recently been getting into poetry and already I adore him. His book, Crush, is at the top of my wishlist.

I think I'll post poetry more often. Maybe weekly.

Let me know what you think!

Review| One Hundred Leaves: A new annotated translation of the Hyakunin Isshu

I won this book through Goodreads and I must say I quite enjoy it.

Blue Flute’s One Hundred Leaves starts with a brief introduction to Japanese poetry and explains how this volume came to be. This introduction, though sparse, is informative and prepares you to better understand Japanese poetry. Next come the actual poems. Each one is presented first in English, then we get the Japanese Kanji and a transliteration. It is interesting to see where the poems came from and I find the characters beautiful as well. Lastly, there are literary notes that help with the interpretation of the poem. These literary notes come in very handy. They provide better understanding of the circumstances surrounding the poem really help in appreciating them.

Each poem has an accompanying piece of artwork that depicts its theme. They are wonderfully matched, some combinations seeming as though one was made for the other. Unfortunately, the artwork is also where we hit the first real drawback: the art is not named, the artist is not mentioned. The book is not in color, and I would like to look up full color versions. That’s made very hard, though, when I don’t have a name to search with. The fact that the book is in black and white in the first place is unfortunate, but I knew that it would be and I can forgive that.

As for the actual poetry, I can flip to any page and find an interesting poem. Some I contemplate more than others. There are those that I like instantly, and those that take a bit longer to appeal to me. Others never really leave much of an impression. There’s bound to be something for everyone though. Recommended for anyone interested in Japanese culture and fans of poetry in general.

See this review on: Amazon | Goodreads | Librarything | Shelfari